{"id":14133,"date":"2026-09-21T10:32:22","date_gmt":"2026-09-21T10:32:22","guid":{"rendered":"https:\/\/ruseartgallery.bg\/?p=14133"},"modified":"2026-09-21T12:07:57","modified_gmt":"2026-09-21T12:07:57","slug":"memento-mori-goran-pamukov","status":"publish","type":"post","link":"https:\/\/ruseartgallery.bg\/en\/2026\/09\/21\/memento-mori-goran-pamukov\/","title":{"rendered":"Memento Mori  Goran Pamukov"},"content":{"rendered":"<div class=\"qMYqUG_convSearchResultHighlightRoot\">\n<div class=\"\" data-turn-id-container=\"request-WEB:45e12156-0445-4da8-a624-a991a9120808-9\" data-is-intersecting=\"true\">\n<section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:45e12156-0445-4da8-a624-a991a9120808-9\" data-turn-id-container=\"request-WEB:45e12156-0445-4da8-a624-a991a9120808-9\" data-testid=\"conversation-turn-14\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\">\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\">\n<div class=\"flex max-w-full flex-col gap-4 grow\">\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+&amp;]:mt-1\" dir=\"auto\" tabindex=\"0\" data-message-author-role=\"assistant\" data-message-id=\"5ed51369-4a0a-49fe-94e4-e11905e4f3fd\" data-message-model-slug=\"gpt-5-6-instant\" data-turn-start-message=\"true\">\n<div class=\"flex w-full flex-col gap-1 empty:hidden\">\n<div class=\"fbskMG_root LR5Y_W_content markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\">\n<p class=\"PDq2pG_selectionAnchorContainer\" dir=\"auto\" data-start=\"0\" data-end=\"34\"><strong data-start=\"0\" data-end=\"34\">29 September \u2013 12 October 2026<\/strong><\/p>\n<p dir=\"auto\" data-start=\"36\" data-end=\"70\"><strong data-start=\"36\" data-end=\"70\">Opening: 29 September, 6:00 PM<\/strong><\/p>\n<p dir=\"auto\" data-start=\"72\" data-end=\"92\"><strong data-start=\"72\" data-end=\"92\">Ruse Art Gallery<\/strong><\/p>\n<p dir=\"auto\" data-start=\"94\" data-end=\"329\"><em data-start=\"94\" data-end=\"124\">\u201cRemember that you must die\u201d<\/em> \u2013 the meaning of the Latin phrase <strong data-start=\"159\" data-end=\"175\">memento mori<\/strong> \u2013 gives Goran Pamukov\u2019s exhibition its title and brings together several recurring concerns in his work: portraiture, dark imagery, time, and transience.<\/p>\n<p dir=\"auto\" data-start=\"331\" data-end=\"574\">Skulls have appeared in his drawings since childhood. He has always felt naturally drawn to dark art and, as the artist himself says, it seems to be deeply rooted in him \u2013 even when he paints flowers, they tend to take on something unsettling.<\/p>\n<p dir=\"auto\" data-start=\"576\" data-end=\"801\">Another enduring interest in Pamukov\u2019s work is <strong data-start=\"623\" data-end=\"638\">portraiture<\/strong>, understood beyond the conventional depiction of the human face. His subjects may be people and animals, historical figures, monkeys, and distant human ancestors.<\/p>\n<p dir=\"auto\" data-start=\"803\" data-end=\"1024\">In <em data-start=\"806\" data-end=\"820\">Memento mori<\/em>, <strong data-start=\"822\" data-end=\"883\">the split portrait becomes a distinctive visual principle<\/strong>. The human image is divided, and the line running through it naturally relates to the exhibition\u2019s central theme \u2013 transience and mortality.<\/p>\n<p dir=\"auto\" data-start=\"1026\" data-end=\"1305\">Portraits based on images found on banknotes are also split, as are portraits of communist leaders. Removed from their familiar contexts and transformed through Pamukov\u2019s expressive painterly language, these recognisable faces become part of his interpretation of <em data-start=\"1290\" data-end=\"1304\">memento mori<\/em>.<\/p>\n<p dir=\"auto\" data-start=\"1307\" data-end=\"1616\">There is one intriguing exception among them: <strong data-start=\"1353\" data-end=\"1432\">the monkeys are the only subjects whose portraits the artist does not split<\/strong>. They are followed by the Neanderthal and <em data-start=\"1475\" data-end=\"1489\">Homo erectus<\/em>. In this way, the exhibition opens a perspective backwards through time, placing the human image within a much longer history.<\/p>\n<p dir=\"auto\" data-start=\"1618\" data-end=\"1830\">Animals appear in another context as well. Pigs are also part of <em data-start=\"1683\" data-end=\"1697\">Memento mori<\/em>, accompanied by the dark humour of the artist\u2019s observation that their lives often fit into the span <strong data-start=\"1799\" data-end=\"1830\">\u201cfrom Easter to Christmas.\u201d<\/strong><\/p>\n<p dir=\"auto\" data-start=\"1832\" data-end=\"1935\">Yet the idea of time is present not only in the imagery. It can also be found in the way Pamukov works.<\/p>\n<p dir=\"auto\" data-start=\"1937\" data-end=\"2195\">The artist often <strong data-start=\"1954\" data-end=\"1991\">paints over his own earlier works<\/strong>. The new painting covers the previous one without completely erasing it. Fragments of the underlying layer are deliberately left visible, reminding us that another image once existed on the same surface.<\/p>\n<p dir=\"auto\" data-start=\"2197\" data-end=\"2415\">This is precisely how the portrait of <strong data-start=\"2235\" data-end=\"2252\">Salvador Dal\u00ed<\/strong>, chosen for the exhibition poster, was created. Beneath it lies an earlier work, <strong data-start=\"2334\" data-end=\"2359\">Pterodactyl at Sunset<\/strong>, fragments of which remain visible in the new painting.<\/p>\n<p dir=\"auto\" data-start=\"2417\" data-end=\"2494\">In this way, a work acquires a second life without entirely losing its first.<\/p>\n<p dir=\"auto\" data-start=\"2496\" data-end=\"2808\">Pamukov describes his approach to applying paint as close to <strong data-start=\"2557\" data-end=\"2576\">action painting<\/strong>. Painting becomes a physical act, involving dense accumulations of paint, lines, spills, and splashes. Traces of the artist\u2019s gestures remain visible and sometimes extend onto the frame itself, bringing it into the pictorial field.<\/p>\n<p dir=\"auto\" data-start=\"2810\" data-end=\"3018\">In <em data-start=\"2813\" data-end=\"2827\">Memento mori<\/em>, images are divided, transformed, covered over, and brought into being again. An earlier painting may remain beneath the new one, while behind the portrait lies a reminder of its transience.<\/p>\n<p dir=\"auto\" data-start=\"3020\" data-end=\"3157\" data-is-last-node=\"\" data-is-only-node=\"\"><strong data-start=\"3020\" data-end=\"3157\" data-is-last-node=\"\">Here, \u201cRemember that you must die\u201d is not an ending, but a starting point for a conversation about time and what remains in its wake.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"z-0 flex min-h-[46px] justify-start\"><\/div>\n<div class=\"mt-3 w-full empty:hidden has-[&gt;_:empty]:hidden\">\n<div class=\"text-center\"><\/div>\n<\/div>\n<\/div>\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1\" data-conversation-screenshot-content=\"\">\n<div><\/div>\n<\/div>\n<\/div>\n<\/section>\n<\/div>\n<\/div>\n<div class=\"pointer-events-none -mt-px h-px translate-y-(--scroll-root-safe-area-inset-bottom)\" aria-hidden=\"true\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>29 September \u2013 12 October 2026 Opening: 29 September, 6:00 PM Ruse Art Gallery \u201cRemember that you must die\u201d \u2013 the meaning of the Latin phrase memento mori \u2013 gives Goran Pamukov\u2019s exhibition its title and brings together several recurring [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":14131,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[121],"tags":[],"class_list":["post-14133","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-2026"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Memento Mori Goran Pamukov - \u0425\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u0430 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